Post by Jeroen Gahrmann on May 16, 2005 23:10:55 GMT 7
I've joined this group a short while ago, but besides my remarks on some of the translations on this site I haven't really told you guys yet what's the reason I joined this forum. Well, here's my reason ;D
Denis has probably already seen it on www.gitaar.net, another forum I'm a member (and actually moderator) of.
It's a 2002 Lag The Blues Louisiane (well, actually the neck is from 1997 - I guess Lag stocks those well in advance until they need them). And a beauty indeed! Don't know what the body is made of (alder? ash?) but it has a nice flamed maple veneer on top, painted in a very nice dark sunburst - the headstock is painted in a matching burst. The neck is made of dark grained maple (with a couple of birds eyes showing), with a Brazilian rosewood fingerboard fitted with nickel Dunlop jumbofrets.
The electronics are a DiMarzio Humbucker from Hell in the neck position, a Seymour Duncan SSL-1 in the middle and Seymour Duncan Hot Rails in the bridge position. The tonepot is a push-push-pot which splits both humbuckers.
She plays and sounds like a dream - I think I'm in love!
Denis has probably already seen it on www.gitaar.net, another forum I'm a member (and actually moderator) of.
It's a 2002 Lag The Blues Louisiane (well, actually the neck is from 1997 - I guess Lag stocks those well in advance until they need them). And a beauty indeed! Don't know what the body is made of (alder? ash?) but it has a nice flamed maple veneer on top, painted in a very nice dark sunburst - the headstock is painted in a matching burst. The neck is made of dark grained maple (with a couple of birds eyes showing), with a Brazilian rosewood fingerboard fitted with nickel Dunlop jumbofrets.
The electronics are a DiMarzio Humbucker from Hell in the neck position, a Seymour Duncan SSL-1 in the middle and Seymour Duncan Hot Rails in the bridge position. The tonepot is a push-push-pot which splits both humbuckers.
She plays and sounds like a dream - I think I'm in love!
